I hate typos. Thankyou.

As the latest atmosperic music cue ends, and another begins, we cut to the deep rumble of another Starship exterior viewpoint. We are stationary, at a slightly higher elevation than our last encounter, and as the huge bulk of it’s circular primary hull passed under us, we can make out U.S.S. ENTERPRISE and it’s registry NCC-1701, before the protruding Main Bridge section then disappears underneath us, and we begin to see two glowing Nacelle Domes fronting long Warp Nacelles.
Suddenly, our viewpoint starts to descent downwards between the two slow moving, long Warp Nacelles, continuing down, until we are again through the outer fabric of the Starship itself in one continuous move, to find ourselves in a different corridor full of activity.
We pan past various crewmembers and catch up with Spock and a small welcoming committee who are entering into the Transporter Room. We see that they come to a dead stop just in front of a large raised circular platform, with two low steps leading up to it. The platform has six discs on it, and we can see that above them are six illuminated cylinders coming down directly above.
We move in slowly just as a nebulous shimmering form starts to take shape. We continue moving in on the shimmer to reveal a close-up of a gold triangular Starfleet insignia set against a mustard yellow tunic top, before panning up to reveal a close-up of our first proper look at a young Kirk ( as portrayed by a new actor ).
We cut back to see the full profile of a uniformed Captain standing on one of the discs, now fully and successfully beamed aboard his designated Starship, and acutely aware of the emergency at hand, and the challenges that he now faces with and unfamiliar crew.
It will prove to be a baptism of fire for them all.

ANOTHER HUMAN ADVENTURE BEGINS…

So I reckon that’s about the first twenty minutes of my imaginary Movie taken care of… At this point only Leonard Nimoy seems involved in some capacity, and if that remains the case then again I would like to see him only in a prologue at the start as an aged Spock, NOT some sudden, jarring appearance halfway through as some OTHER character please…
Let’s have a little dignity here.

As we cut to a final steady distance shot from behind, revealing his whole tall, slime profile, he continues his way along the corridor, where a young female crewmember coming towards him, can’t help staring in awe at the mysterious crewman as she passes him. As the emergency klaxons continue with insistent regularity in the background, we revert to a close-up of the back of the head and shoulders of the tall, still unseen by us, crewman as he suddenly enters an opening.
“Bridge” he states calmly. He is now the occupant of a small turbolift, and we can see it is heading upwards rapidly. It “thrums” as it moves, in a merciful respite from the klaxons. We slowly scan up the side of the enigmatic crewman standing upright in his blue and black uniform, arms behind his back. First, we start at the base of his long black boots, going slowly upwards reveals the flared ends of regulation issue black trousers, upwards yet…a weapon is at his side…a lethal handphaser…we can see gold bands on his blue sleeves, his arms still behind him, upwards still, we come to the gold insignia set against his blue tunic top, then just as we reach his chin and are about to see his face, the “thrum” slows, the lift stops, and we are once again in close-up behind his pointed-eared head, about to leave it, to enter another area.
We see from this point of view that the door “swishes” open in front of him, allowing us our first glimpse of this Starship’s Bridge, it’s vital operations room.
As another mysterious sounding music cue starts up, we finally cut to reveal our first proper look at a young Spock ( as portrayed by a new actor ), as he enters the Bridge through the now open doorway. Without pausing, he turns to his right, and we now follow him along a raised walkway as he heads for his station. We close-in on his unusual face as he scans for information on the unseen menace. As we pan around his predominantly grey, black, and scarlet circular surroundings, we discover it is a technological marvel, brimming with the sounds of multi-coloured gadgetry and alive with lit-up workstations, monitors, and screens. A constant electronic hum fills the air. There are several seating positions, including Spock’s, around the perimeter of the raised walkway, while in the centre, is a larger, raised seat, flanked by two other seated positions just in front of it. These three central seats are facing a huge blue-edged viewscreen which dominates the field of view, and we see that it currently shows the vastness of space, along with a section of a large planetary body, as yet unknown to us.
We see that most of the other Bridge crew have momentarily stopped to stare at their unusual crewmate. We cut to Spock, who sensing this, slowly turns round and raises an eyebrow in their direction. “Our situation is still ongoing gentlemen…and Captain Kirk is on his way here now.” he announces matter of factly. We see that everyone turns back to their stations, including Spock who turns last.
We cut to a front view of the Navigator and the Helmsman looking at each other bemused as they resume their attention to the job at hand. Then we slowly move straight ahead, through the middle of them, and past them, and linger on the empty Captain’s Chair, currently missing it’s occupant.

Kirk is in the middle of a fond appreciation of Spock’s friendship and help during their many missions together over the years. He tells him “You realise that without you and the rest of the crew, that I wouldn’t be where I am today…”, then turns, stops, and gently places his hands on Spock’s shoulders before continuing with amused affection “…but I STILL haven’t quite got used to those wretched ears Spock!”
We cut to Spock who stares at Kirk impassively, arms still behind his back, intoning solemnly “The feeling is mutual…” before raising an eyebrow, then stating with mischievious relish “…and my wretched ears have ALWAYS been greatly misunderstood!”, as he breaks into a broad smile.
We cut back to a close-up of Kirk now, who laughs, and indicates for them to continue walking.
We then cut to a close-up behind them, following as they both walk away from us slowly, arms behind backs again. “Ah, yes…” Kirk recollects wistfully as our viewpoint suddenly halts, “…I’ll always remember meeting those ears for the first time…” he continues, as he gives Spock a gentle pat on the back. We barely hear Spock’s knowing response “Nor will I forget the events that came after, and the lives that we touched…”, as the elderly duo continue to receed further away from us, until they are once again two dark, indistinct, ethereal figures…

A somewhat familiar orchestral Theme begins, as the bright screen fades into blackness again… a deep starfield this time. As the music starts to swell, two much-loved saturated yellow words begin to faze into existence in the middle distance, immediately moving slowly towards us, solidifying as they near us, then returning to semi-transparency, allowing us to see the stars through them, just before they loom large and engulf us totally with a satisfying “swoosh”, before leaving us looking into deep black space once more.
As the extended Main Theme hits it’s stride, smaller light blue lettering now slowly fazes in and out against the starfield, notifying us of various cast members and production personnel until the Theme ends.

As the Main Theme finishes and fades away to silence, we start to hear a steadily rising deep base rumble against the blackness, before the startlingly colourful orange swirls of a huge round spinning Nacelle Dome slowly fills the screen, coming towards us perilously close.
We cut to the oncoming image of the slowly approaching prow of a massive saucer belonging to a sleek and elegant Starfleet Starship. It comes directly at us head-on, filling the screen, but out point of view veers off at the last minute, and we close-in on one of the prow windows, seeing colour and movement ahead as we go. In one continuous movement, we have passed through the window into a corridor filled with the urgent sounds of emergency klaxons and much crew activity.
As an ominous sounding soundtrack starts up again, we cut to a steady distance close-up of long black boots, topped by black shortened trousers, striding purposefully at a steady pace away from us along the curved corridor, as other crewmembers, the females in minis :) , rush past in both directions.
We cut to a steady distance close-up of a gold triangular Starfleet insignia against a blue tunic coming towards us.
We then cut to a steady distance close-up of the back of the strider’s head, revealing a silhouette with unnaturally pointed ears.

The Theatre having darkened…a black Movie screen brightens considerably, and we are introduced to a slow zoom-in on two dark, indistinct, ethereal figures walking at a leisurely pace towards us, their arms behind their backs, against an indistinguishable, dream-like, intensely bright white background, focusing as we close in.
We cut to an in-focus head and shoulder close-up reveal of an elderly Spock beside an elderly Kirk ( as portrayed by the current Leonard Nimoy and William Shatner ), still walking towards us, resplendent in unfamiliar, futuristic tunics.

Just so you know, in an ideal world, my own personal wish for this “re-establishing” of the Trek Movies would entail all concerned in it’s making to include a warm and respectful handover of their iconic character roles by BOTH Leonard AND Bill, that doesn’t overpower the rest of the Movie, but keeps us older fans happy enough, while hoping that unaware new fans “get” the handover, and may even check out the original series to enjoy the old “introducers” at the start of the Movie, in their t.v. prime, using an enigmatic lack of explanation about the “Nexus” event conundrum, combined with a lot of the “similar” colour and imagery of CERTAIN TOS-era episodes. Hey, I can ask can’t I ?
Remember, this is only a fun “what if” flavoured with my own selfishly personal preferences, but please indulge me nonetheless :)
As always, please pardon my prose.