Welcome back to our bi-weekly series on Gene Roddenberry’s work between Star Trek incarnations. Last time we looked at the satanic bromance thriller, Spectre. This time we check out Gene’s original android with a heart of gold in The Questor Tapes.
Articles by Mark Farinas
Welcome back to our bi-weekly series on Gene Roddenberry’s work between Star Trek incarnations. Last time we looked at the most optimistic post-apocalypse ever filmed, Genesis II. This time we check out Gene’s take on devil worship, Spectre.
So little has been written about Gene Roddenberry’s work outside of Star Trek, and yet the guy produced a movie and four television pilots in the ten short years between the original Star Trek and The Motion Picture. On this, the fiftieth anniversary of his most renowned creation, it’s time to reconnect with Roddenberry’s lost productions and see how they laid down the blueprint for Star Trek’s Next Generation.
Dressing in drag is old hat in the theater world. Back in the olden days when women were not allowed to be professional actors it was a utilitarian device. In modern times it’s often used for comedic effect. For me, however, drag is best when it doesn’t just entertain, but makes us reexamine the traditional roles of men and women. A new Star Trek drag show, now playing this month at the Oasis Bar in San Francisco, does just that.