Since Star Trek: Discovery will be coming exclusively to CBS All Access in the United States, I decided to give the network’s new over-the-top streaming service a try. I’ve been using All Access for a good nine months now, and I’ve learned a thing or two about what the service gets right and where it leaves something to be desired.Read More
Regardless of how much you and I want to see Star Trek return to the TV, we aren’t the ones who control the latinum.
A few weeks ago the Balboa theater in San Francisco hosted a screening of New Voyages’s episode Mind Sifter. With a number of their cast and crew in attendance for both a pre-screening meet and greet and a Q&A session with director Mark Edward Lewis, SFX Supervisor Pony Horton, and actors Jeff Bond (Dr. Leonard McCoy) and Becky Wood (Dr. Hamlin). As the audience filtered into the theater in the half hour or so leading up to the screening it became evident that people weren’t just locals to the Bay Area. Many people had come in from from 100 miles and more to see the episode on a big screen.
The following essay comes to us from Lukas Kendall at Film Score Monthly (www.filmscoremonthly.com), whose Star Trek credentials including producing or co-producing most of the recent collector’s edition soundtrack CDs like the 15-disc La-La Land Records TOS box set. He also assisted with the recent publication of Return to Tomorrow, the oral history of Star Trek: The Motion Picture. Lukas says he’s a lifelong Trekker who follows the ongoing dialogue about the franchise, and thought he had something to add about its fundamental appeal—and, among other things, the reason why J.J. Trek is so polarizing.
Earlier this week , the fabulous genre website, io9.com, ran an article I wrote regarding how Paramount is missing out on a unique opportunity to develop Star Trek as a blockbuster multi-media property. After reading the article, your jocular webmaster Anthony Pascale, reached out to me and discussed expanding my article (or, as Charles Foster Kane might say, Declaration of Principals) for the Trek Movie audience with some additional and more Trek-specific thoughts to help facilitate a continued debate on the future of the Star Trek universe. As such, I hope you’ll find the revised, expanded, director’s cut version of my article (ne: manifesto) thought-provoking and worthy of further discussion as what I’m sure will be the first of many opinion pieces on how the studio should be treating the franchise as we approach its 50th anniversary in 2016. Now onwards, first star to the right and straight on till morning…
The Library of American Comics (LOAC), an imprint of IDW Publishing, recently reprinted the L.A. Times Star Trek newspaper strip in two gorgeous, painstakingly researched and restored, hardcover volumes. Can we make a convincing case for reprinting the other obscure Star Trek comic strips, published in the United Kingdom, from 1969 to 1973?
Seinfeld is celebrating its 25th anniversary this month, and so TrekMovie takes a look at some of the connections between the groundbreaking sitcom and Star Trek.
The next Star Trek film is due in 2016, but fans want to know exactly when. Could it be on the 50th anniversary? And what about competing with JJ Abrams’ Star Wars movie which was just put on production hold – might Star Wars slip into 2016 and go head-to-head with Trek? TrekMovie has invited Hollywood writer/producer (and release date bingo aficionado) Kay Reindl to take a look at the 2016 landscape. Read the full analysis.
Let’s get something straight right off the bat: Star Trek V is a hot mess. Released 25 years ago today, my anticipation for it could not have been greater. By 1989, I was fully immersed in Trekdom, consuming all there was to consume: comics, novels, cards, making-of books, and of course, the actual movies and TV episodes.
In The Icarus Factor, Riker is offered his own ship and we meet his father for the first (and only) time. But the episode is better remembered for the subplot, where Worf is in a particularly grouchy mood. He yells “Enough!” at Wesley and “Be gone!” to Data, who – with his trademark gentleness – describes the Klingon as “out of sorts.” Worf’s friends determine that the only solution to his foul spirits is to hit him repeatedly with pain sticks: I have been reminded of this episode as I’ve followed the recent furor over Star Trek Into Darkness. Just as Worf wasn’t really mad at his crewmates, I believe that much of the anger toward STID has nothing to do with the film: fans are angry because they have to wait four years to see a new movie when what they really want is new episodes every week.
Joseph Dickerson’s “Star Trek is Broken” editorial has caused quite a stir among the Trek community. One person who had a response to this was TrekBBS member “The Stig”, his clear, concise, and level-headed post got a lot of kudos. He contacted us at TrekMovie and said he’d be happy to flesh it out a little bit more and have us run it as a counter-point. So we present it here as an ongoing dialog about the future of the franchise we all love so much. — The TrekMovie Staff
At last month’s official Star Trek Convention in Las Vegas, I had the privilege to speak about “Treknology”. The experience was great – I was thrilled at the response of my fellow fans to my presentation. What struck me was the response from Jordan Hoffman’s “One Trek Mind” panel on the best Star Trek movie. The feedback from fans was pretty unanimous – the best film was Star Trek II: The Wrath of Khan, and the worst… was Star Trek Into Darkness. Fans were more kind when a similar vote took place at the Seattle Star Trek Convention a few days later, where STID ranked 6th, but even then the fans were very vocal and very critical of the film. The sometimes-rabid criticism, much of which was echoed by some film critics and online commentators, gave me pause… and as I reflected on this reaction I came to a conclusion. Star Trek is broken.