Editorial

There Be Whales Here: The Voyage Home at 30

On November 26, 1986 Star Trek IV: The Voyage Home debuted on movie screens across the United States.  The film’s lighthearted tone and environmental message struck a chord with moviegoers, and became the first Star Trek film to have crossover appeal with mainstream audiences who normally wouldn’t be interested in the adventures of the Enterprise crew.  The movie often referred to as “the one with the whales” continues to charm audiences today, and we wanted to mark its 30th anniversary with a remembrance not only of the film, but of the time it was made in. We hope you enjoy it.

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Who Owns Star Trek? BuzzFeed asks

Adam B. Vary of BuzzFeed just published an in depth article on Star Trek fandom (centered primarily around the reboot movies and Axanar as two different sides of Trek and fandom), titled “Who Owns Star Trek? How Star Trek Created, Lost, And Won Back Its Devoted Fandom”. With interviews from Trek actors, producers, directors, and fans, it’s a great read. Click through for some choice excerpts.


EDITORIAL: The Future of Star Trek (an open letter to Bryan Fuller and Alex Kurtzman)

In an open letter to the creators of the upcoming Star Trek CBS series, science fiction author Steven Erikson makes a plea for the new show to embody the characteristics that made the Original Series so universal and posits, “Star Trek will survive on the quality of its drama – not on the special effects, not on the strange aliens, and not, alas, on the legacy of what has gone before.”



Editorial: With Execs Calling for ‘Star Trek: Zero Dark Thirty’, Does Paramount Just Not Get Trek?

The president of Paramount’s Motion Picture Group recently told WIRED that he wants to “take advantage” of unexplored parts of the Star Trek universe going forward with future films, throwing out such “ridiculous” ideas as “Star Trek: Zero Dark Thirty” and meeting the SEAL Team Six of the Star Trek universe. After the action-adventure shoot-em-up blow-em-up blockbuster that was Into Darkness, Paramount wanting a “less Star Trek-y” script, and the head of the reboot proclaiming that Star Trek is “too philosophical”, is this another indication that Paramount really has no idea how to do Star Trek?


Editorial: With Lydia Wilson as latest addition to Star Trek Beyond cast, can we expect a strong female role or another Carol Marcus?

Lydia Wilson has just been announced as the latest addition to the growing call sheet for Star Trek Beyond, currently filming in Vancouver. As usual, no one has any clue as to what her role might be (although there is plenty of speculation abound). I am excited about the addition of another female presence on the screen, but I remain cautiously optimistic after our “strong female role model” Carol Marcus turned into a one-trick pony designed to catch Kirk’s (and the audience’s) romantic interest.




Star Trek: Phase II – “Mind Sifter”

A few weeks ago the Balboa theater in San Francisco hosted a screening of New Voyages’s episode Mind Sifter. With a number of their cast and crew in attendance for both a pre-screening meet and greet and a Q&A session with director Mark Edward Lewis, SFX Supervisor Pony Horton, and actors Jeff Bond (Dr. Leonard McCoy) and Becky Wood (Dr. Hamlin). As the audience filtered into the theater in the half hour or so leading up to the screening it became evident that people weren’t just locals to the Bay Area. Many people had come in from from 100 miles and more to see the episode on a big screen.


EDITORIAL – The Future of Star Trek: It’s the Story, Stupid

The following essay comes to us from Lukas Kendall at Film Score Monthly (www.filmscoremonthly.com), whose Star Trek credentials including producing or co-producing most of the recent collector’s edition soundtrack CDs like the 15-disc La-La Land Records TOS box set. He also assisted with the recent publication of Return to Tomorrow, the oral history of Star Trek: The Motion Picture. Lukas says he’s a lifelong Trekker who follows the ongoing dialogue about the franchise, and thought he had something to add about its fundamental appeal—and, among other things, the reason why J.J. Trek is so polarizing. 


Why “Star Trek” is Paramount’s Marvel and they don’t even know it…

Earlier this week , the fabulous genre website, io9.com, ran an article I wrote regarding how Paramount is missing out on a unique opportunity to develop Star Trek as a blockbuster multi-media property. After reading the article, your jocular webmaster Anthony Pascale, reached out to me and discussed expanding my article (or, as Charles Foster Kane might say, Declaration of Principals) for the Trek Movie audience with some additional and more Trek-specific thoughts to help facilitate a continued debate on the future of the Star Trek universe.  As such, I hope you’ll find the revised, expanded, director’s cut version of my article (ne: manifesto) thought-provoking and worthy of further discussion as what I’m sure will be the first of many opinion pieces on how the studio should be treating the franchise as we approach its 50th anniversary in 2016. Now onwards, first star to the right and straight on till morning…




Analysis: When In 2016 Will Next Star Trek Be Released + Could Star Wars Butt In?

The next Star Trek film is due in 2016, but fans want to know exactly when. Could it be on the 50th anniversary? And what about competing with JJ Abrams’ Star Wars movie which was just put on production hold – might Star Wars slip into 2016 and go head-to-head with Trek? TrekMovie has invited Hollywood writer/producer (and release date bingo aficionado) Kay Reindl to take a look at the 2016 landscape. Read the full analysis.



EDITORIAL: You Just Can’t Bring Star Trek Back To The Small Screen (But How You Would If You Could)

In The Icarus Factor, Riker is offered his own ship and we meet his father for the first (and only) time. But the episode is better remembered for the subplot, where Worf is in a particularly grouchy mood. He yells “Enough!” at Wesley and “Be gone!” to Data, who – with his trademark gentleness – describes the Klingon as “out of sorts.” Worf’s friends determine that the only solution to his foul spirits is to hit him repeatedly with pain sticks: I have been reminded of this episode as I’ve followed the recent furor over Star Trek Into Darkness. Just as Worf wasn’t really mad at his crewmates, I believe that much of the anger toward STID has nothing to do with the film: fans are angry because they have to wait four years to see a new movie when what they really want is new episodes every week.


EDITORIAL: Star Trek is not broken

Joseph Dickerson’s “Star Trek is Broken” editorial has caused quite a stir among the Trek community. One person who had a response to this was TrekBBS member “The Stig”, his clear, concise, and level-headed post got a lot of kudos. He contacted us at TrekMovie and said he’d be happy to flesh it out a little bit more and have us run it as a counter-point. So we present it here as an ongoing dialog about the future of the franchise we all love so much. — The TrekMovie Staff


EDITORIAL: Star Trek is broken – Here are ideas on how to fix it

At last month’s official Star Trek Convention in Las Vegas, I had the privilege to speak about “Treknology”. The experience was great – I was thrilled at the response of my fellow fans to my presentation. What struck me was the response from Jordan Hoffman’s “One Trek Mind” panel on the best Star Trek movie. The feedback from fans was pretty unanimous – the best film was Star Trek II: The Wrath of Khan, and the worst… was Star Trek Into Darkness. Fans were more kind when a similar vote took place at the Seattle Star Trek Convention a few days later, where STID ranked 6th, but even then the fans were very vocal and very critical of the film. The sometimes-rabid criticism, much of which was echoed by some film critics and online commentators, gave me pause… and as I reflected on this reaction I came to a conclusion. Star Trek is broken.


Into Darkness Blu-ray where are all the bonus features? [UPDATE 2]

When the details of the Star Trek Into Darkness Blu-ray discs were released last month, there was a big fan outcry wondering what happened to a fully loaded version with extras, like we got with Star Trek (2009)? The DVD version fared even worse, being a totally barebones release. Friend of TrekMovie, Bill Hunt from The Digital Bits, has that answer. It turns out that a plethora of bonus features do exist… it’s just that Paramount doesn’t want them all in one place. They are being used for retailer and digital download vendor exclusives. UPDATED 9/2/2013 with even more details thanks to TrekCore’s diligence.


Star Trek, after Darkness: What is next for the franchise?

As readers of this site know, Star Trek Into Darkness opened domestically and internationally late Spring and has earned over $443 million dollars. This is a success for Paramount, albeit a modest one. It’s not a flop, by any measure… but it’s not a home run, either. It’s a solid double or triple, but Paramount (like all studios do with summer blockbusters) was swinging for the fences. So, what’s next? Well, to quote Donald Rumsfeld, there are some “known knowns” and “known unknowns.” Let’s cover what we know, and spend some time theorizing what comes next.


The human adventure is just beginning: How the optimistic future of Star Trek is more likely than we may think

“We are locally optimistic, and globally pessimistic.” The creator of Star Trek Gene Roddenberry did not share this “globally pessimistic” point of view. Instead, he was incredibly optimistic about our future, about the human potential. “We’re just beginning,” he said in an interview shortly before his death. “We have wonders ahead of us. I don’t see how it can be any other way, with the way the future is going. We now have got a telescope up there, photographing the universe. We’re inventing the next life form, the computer. We’re in the midst of it. And it will happen.” According to Roddenberry, the future we see in Star Trek is not just possible but probable. How so? Read on…