Review: ‘Star Trek: Picard: No Man’s Land’ Audio Drama Delivers Fun, Action, and Romance

Star Trek: Picard: No Man’s Land
Publisher: Simon & Schuster Audio (February 22, 2022)
Runtime: 1 hour and 39 minutes

As Star Trek: Picard’s first season drew to a close, one fleeting shot in the final scene caused quite the buzz among Trek fans. As the camera swept through La Sirena showing the newly-assembled crew settling into life after the resolution of the synth crisis, we saw Raffi Musiker and Seven of Nine sitting at a table in the ship’s hold, and Raffi’s hand reached out for Seven’s in a gesture of affection. Then the camera passed by, and it was over—but the suggestion of a possible romance between the two characters lit the Trek-verse on fire. Would they become a couple? What sort of relationship would that be, knowing what we know of who they are as people—Raffi coming back from a drug addiction that cost her a career in Starfleet, a husband, and her son, and Seven shaken by the deaths of Icheb and Hugh, her connections with the Borg Queen, and her extended time as a member of the Fenris Rangers. Could Raffi overcome her dependency and Seven her intense anger and isolation long enough to truly form an intimate bond?

Enter Star Trek: Picard: No Man’s Land, a full-cast, immersive audio drama from Simon & Schuster, written by Kirsten Beyer and Mike Johnson and starring the voices of Michelle Hurd as Raffi Musiker and Jeri Ryan as Seven of Nine. Not an audiobook, this is more of a fully immersive audio experience, a play or a television episode without visuals but with full sound effects, voices, and musical score. Beyer, a longtime Trek novelist specializing in Star Trek: Voyager books, staff writer on Star Trek: Discovery, and co-creator and writer of Star Trek: Picard has the depth of experience with the characters to make this story a treat, and Johnson, a longtime writer of Star Trek comics for IDW and frequent collaborator with Beyer on some of that company’s tie-in comics is the perfect writing partner for her. The result is an experience unique to Star Trek thus far, the first of what I hope will be many audio drama episodes to come.

Having listened to audio dramas in the past—namely a sprawling 13-disc dramatization of The Lord of the Rings trilogy produced by Brian Sibley in 1999 and the 1993 Time Warner AudioBooks production of Superman Lives!—I was familiar with the challenges of the medium. Since the audience can’t see what’s happening, and there is no narrator, all descriptions must be spoken by the characters or conveyed somehow through sound effects and music. This can lead to awkward lines, things that don’t sound like natural dialogue, like Raffi describing six Romulans standing next to a shuttle at one point in this drama. But Beyer and Johnson generally handle these situations with deftness, and very few moments are enough to take you out of the story.

What the format does well is invite you into the characters’ lives at a pace and an intimacy that a typical TV episode does not, with the deep bonus of the skills of the actors we know and love in their roles to help us hear what’s going on in the characters’ hearts. Simply put, Hurd and Ryan are fantastic in this piece, conveying with just their voices what they are accustomed to doing with their bodies, faces, costumes, and makeup. The story takes us through an adventure that starts shortly after the conclusion of season 1 of Star Trek: Picard and provides the context that will certainly complement and enrich what we will learn in season 2 of the series. Much like Una McCormack’s tie-in novel Star Trek: Picard: The Last Best Hope, this audio drama will make what’s eventually onscreen better and richer experience.

But that’s not the only joy in this drama. Beyer and Johnson take us into the world of the Fenris Rangers and introduce a number of great new characters, especially the Rangers’ Hyro and Deet, two aliens whose alien-ness is conveyed through dialogue and audio performance so well that it’s easy to visualize them in your head. They had me laughing many times throughout the course of the drama’s 1 hour and 40 minute runtime. Voiced by Jack Cutmore-Scott and John Kassir, these two characters are joined by John Kassir doing double duty as Professor Gillin and Lower Decks’ Fred Tatasciore as the one-and-a-half-note villain, the Romulan Rynin.

The story is fun and gives us good insight into the Seven/Raffi relationship, but a stock villain and a fairly pedestrian plot are two weaknesses of the piece. All in all, it’s a fun and worthwhile production. My only caveat is the price—I didn’t feel that $15 was the right price point. Considering that a month of Paramount+ is $7 and a month of Disney+ is $8, paying $15 for an audio drama that runs less than two hours seems like not enough bang for my buck. From my perspective, I’d say that $10 would be a reasonable price for what I got; however, if my $15 will help build a market for more (reasonably priced) audio dramas in the future, it is probably money well spent.

Check out All Access Star Trek‘s interview with authors Kirsten Beyer and Mike Johnson.

No Man’s Land clip

In this clip, Raffi and Seven touch down on the planet Ebla expecting a bloodbath with the Romulan warlord Rynin, but instead realize the Romulans are really there to abduct someone Seven knows…

On sale now

Order Star Trek: Picard: No Man’s Land at Amazon/Audible for $14.95.

No Man’s Land is written by Picard co-creator and writer Kirsten Beyer along with Star Trek comics veteran writer Mike Johnson. In addition to Raffi and Seven, the audio drama includes a full cast playing all-new characters including the Romulan warlord Rynin, a Fenris Ranger, various exotic alien species, and more. The voice cast includes Fred Tatasciore (Shaxs on Star Trek: Lower Decks), John Kassir (Cryptkeeper on HBO’s Tales from the Crypt), and John Cutmore-Scott (a featured character on the ABC series Deception). In addition, it will feature actual Star Trek: Picard sound effects such as transporters, weapons, explosions, and more.


Keep up with the Star Trek Universe at TrekMovie.com.

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“Seven and Raffi are the highlights of Star Trek’s first audio drama”
“The result is an experience unique to Star Trek thus far”

This is all incorrect. There have been several full-cast Star Trek audio dramas in the past–numerous, in fact. I’m kind of surprised to see TrekMovie making this kind of mistake.

Just off the top of my head: Transformations, Cacophony, and Envoy, part of the Captain Sulu Adventures line. There were also eleven full-cast Star Trek audios from Peter Pan Records. And there were the two Spock vs. Q audios. I’m sure there were others, but I don’t have time to check my shelves at the moment.

I think the only ones you missed are the two audio adaptations of video games, Star Trek: Klingon and Star Trek: Borg.

Plus, Harlan Ellison’s The City on The Edge of Forever.

Ooh, I didn’t know there was an audio drama of that. Who did it?

It’s an independent production available on skyboatmedia (dotcom). It has quite the audio cast:

THE TELEPLAY-PROLOGUE
Narrator………………………………………………………………..LeVar Burton
Captain James T. Kirk…………………………………………….John Rubinstein
LeBecque……………………………………………………………….Alex Hyde-White
Beckwith………………………………………………………………..Richard McGonagle
Mr. Spock……………………………………………………………….Scott Brick
Transporter Chief……………………………………………………Larry Nemecek

THE TELEPLAY-ACT ONE
Narrator………………………………………………………… David Gerrold
Janice Rand…………………………………………………….Judy Young
1st Guardian of Forever…………………………………….Stefan Rudnicki
Renegade………………………………………………………. Paul Boehmer

THE TELEPLAY-ACT TWO
Narrator…………………………………………………………..Paul Boehmer
Crew Member…………………………………………………..Veronica Scott
Orator………………………………………………………………Richard Gilliland
The Janitor……………………………………………………….Paul Boehmer
Voice of Tricorder………………………………………………Gabrielle de Cuir
The Cook…………………………………………………………..Jim Meskimen
Edith Keeler…………………………………………………..….Jean Smart

THE TELEPLAY-ACT THREE
Narrator………………………………………………..………….Jim Meskimen

THE TELEPLAY-ACT FOUR
Narrator……………………………………………………………Richard Gilliland
Trooper……………………………………………………………. Harlan Ellison

THE TELEPLAY-EPILOGUE
Narrator………………………………………………………..……Jean Smart

That is indeed quite the audio cast!

Gonna listen this with a glass a scotch, a little Barry White playing in the background, and let my imagination go…

I listened to it via audible. While the production values (sounds, music) and cast were incredible, I was otherwise quite underwhelmed tbh. For one thing, it was really short at 90 minutes (For comparison, recent Star Wars audio dramas last about 6 hours) and it seemed like nothing of signfiicance happened. While the interactions between Raffi and Seven were the heart of the piece, ultimately, they kind of end in a stalemate at the end and basically stall the relationship so that Picard Season 2 can really pick it up and do something with it.
SPOILERS
The scientist who had been “granted” immortality was interesting but again nothing really interesting was said about immortality than the basic “it’s actually a curse because all your loved ones die around you” argument. I don’t expect much, since this topic has been explored countless times in sci-fi, fantasy, super hero and regular fiction, but this is pretty much the first argument that comes to mind about immortality and No Man’s Land makes no effort to go beyond that and deepen it in any way.
SPOILERS END
And the villain was also pretty one-note, but I did appreciate that one crew member seemed to to entirely buy into the guy’s madness all the time. The supporting cast was actually quite quirky and likable and probably the highlight of the piece besides Seven and Raffi.

Overall, it’s great if you want more Raffi and Seven and nothing too long, but I honestly was otherwise pretty disappointed as I felt nothing significant happened or was accomplished. It was “just” filler. Compare that to something like Dooku: Jedi Lost which not only told a compelling story on its own, but also added a lot of weight to a long-established character, or the Picard tie-in books which truly add something to the show and fill in the blanks (even if those blanks might soon be overwritten by other shows). And it’s not a question of runtime, since we’ve actually got 100s of 45 minutes-or-less episodes which tell compelling complete stories in that time.