Jeff Bond’s Review of ‘Star Trek’

Today we present our third review of JJ Abrams’ new Star Trek film. This time Geek Monthly Magazine editor-in-chief (and regular TOS-R reviewer for Jeff Bond, shares his thoughts the eleventh Trek feature film.
[contains some spoilers]



Star Trek
Review by Jeff Bond

J.J. Abrams Star Trek movie has probably been the most anticipated, as well as the most hated and feared (prior to actually being seen) Star Trek movie since 1982’s The Wrath of Khan. In ’82 Nicholas Meyer dared to kill Spock and he was on the receiving end of some pretty juicy death threats for having the temerity to do so. Now Abrams has dared to do something even more threatening to Star Trek fundamentalists: recast and re-imagine Spock, and the rest of the crew of the original U.S.S. Enterprise, and show us how they wound up as the finest crew in Starfleet.

It’s heresy to replace William Shatner, Leonard Nimoy, the late DeForest Kelley and the rest of the original series’ legendary cast and replace them with younger actors—it’s what Trek fans have feared and fought against since Harve Bennett’s idea for a Starfleet Academy film was first floated—90210 in space. And after years of moribund Star Trek movies and series, trekkers seemed even more outraged at the idea that Abrams and other behind-the-camera talents who hadn’t spent the past few decades toiling in the Star Trek military industrial complex at Paramount would now get the chance to reconstruct the franchise from top to bottom. Never have so many been so afraid to boldly go.

1991’s Star Trek VI — the last TOS movie
(that was almost a TOS recast at the Academy movie)

So it’s with a certain satisfaction, and the realization that so many people I know will think me crazy or a traitor to the cause, that I say that J.J. Abrams’ Star Trek for the most part works fantastically well. And the key is the impossible task of starting from ground zero with these iconic characters and daring to recast and revive them while acknowledging—but not enslaving them to—the franchise’s beloved “canon.” We all know how this pitch began—the idea of a time traveler changing the past of James T. Kirk, in effect creating a new character, one who might, or might not, have the original Kirk’s destiny. It’s clear there was something about Shatner’s Kirk, the very human but sometimes high-flown soldier-philosopher, which the filmmakers either couldn’t relate to or felt no longer spoke to modern audiences. Chris Pine plays a rudderless Kirk almost goaded into joining Starfleet by would-be mentor Christopher Pike (Bruce Greenwood)—Pine’s Kirk looks a bit like a male model and sounds a little like Christian Slater, and he’s introduced crudely pitching a young Uhura (Zoe Saldana) in an Iowa bar (in this Star Trek everything—from Kirk to Starfleet recruiting to the Enterprise itself—revolves around Iowa). It’s Kirk a la Top Gun (right down to the motorcycle), but Pine makes it work. You might not always believe how his Kirk rises through the ranks, but you do believe there’s a potential Captain Kirk underneath all the hubris.

Pine’s new Kirk works

Nevertheless had the rest of the Trek characters been as radically overhauled as Kirk, this new Trek might have worked for newbies but it would be unrecognizable to fans. They key to the original series’ popularity was always the buddy team of Kirk and Spock and their interaction—and indeed the mysterious appeal of the Spock character itself. With Leonard Nimoy playing the older Spock as part of the plot’s time travel dynamic, and initial clips of actor Zachary Quinto in action as the new, young Spock, a potential disaster seemed to loom. Quinto’s physicality fits the role to a T but Nimoy’s resonant baritone voice and impeccable diction and inflection were such a crucial part of the character that it seemed like Quinto might get blown off the screen by his older counterpart.

Not so. Quinto actually anchors the film and keeps an adventure that might easily have become pandering and silly rooted firmly in the kind of fascinating character drama that marked the best of the original series. This is a Spock who may also have chosen a slightly different path than the one we saw in the original series—or we may be seeing an ingenious reflection of the unformed Spock Nimoy himself played in the show’s first two pilot episodes—a character that seemed quite emotional even as he belittled human feelings. The plot makes ingenious and powerful use of Spock’s back story (to the point that D.C. Fontana almost deserves a story credit)—his upbringing as a Vulcan boy bullied and rejected by his peers, his biracial parents, his rejection of the Vulcan Science Academy in favor of Starfleet (a decision that seems to turn on a final, low grade insult from a Vulcan superior), and his ties to the planet Vulcan itself. But as with the character of Kirk, the screenwriters uses these familiar elements to chart a bold new course for Spock. Of any aspect of the film this is the most resounding vindication of Gene Roddenberry’s original vision—because these characters still work and still hold their mystique after almost half a century.

Quinto’s Spock fits Trek history

The original show’s supporting characters were always a mix of stereotypical ‘types’ given life by a talented cast. Leonard “Bones” McCoy quickly proved himself equal to Kirk and Spock due to DeForest Kelley’s enormously likeable, half testy, half easygoing persona. It’s no surprise that Karl Urban nails McCoy—Leonard Nimoy just recently said he cried when he watched Urban’s work in the role. It’s an imitation in a way, but with an element of relaxed realism that brings Kelley’s distinctive mannerisms into a contemporary style. McCoy’s introduction scene in a Starfleet shuttle is perfect, laying down all the beats of the character in a few well-chosen words. The downside is that it’s Urban’s best scene—McCoy is in there pitching throughout the movie, often seeming to reprise every trademark line the Doctor ever uttered in the series—but he doesn’t get the kind of intimate, key scene with Kirk where he can truly function as the film’s conscience. More of him next time! The real surprise is Zoe Saldana’s Uhura, who pulls off the magic trick of not only working perfectly in the role, but of actually deepening your appreciation for the original character, and Nichelle Nichols’ performance. This Uhura plays a pivotal dramatic scene that establishes her as far more integral to this new Star Trek than her original counterpart, yet it shows you how indispensable this officer—and woman—is onboard the Enterprise.

John Cho’s Sulu figures more in action than dramatically—he’s a reserved Sulu and maybe the only other character on the ship besides Spock who never cracks a smile. Anton Yelchin is a surprisingly affecting Chekov although probably a love-him-or-hate-him choice—this is a 17-year old Chekov and I found his accent more convincing, if no less cartoonishly funny, than Walter Koenig’s. Simon Pegg’s Scotty is the biggest adjustment—he’s much more Pegg than James Doohan, and you won’t believe what a miracle worker this Scotty turns out to be. But Pegg can shout “I’m givin’ her all I can, Captain!” with the best of them.

The rest of the cast are more than just ‘aye aye Captain’

Star Trek’s new cast is so good and watching them team up and work together so much fun that the film’s problems mostly sail under the sensors. The one unfortunate artifact from the success of 1982’s The Wrath of Khan is the need to have a madman out for vengeance in every other Star Trek movie. This was never an important trope in the original series except in dopey episodes like “The Alternative Factor,” or disguised by mystery in stories like “The Conscience of the King.” Eric Bana’s Nero is an offbeat, deceptively low-key villain—he’s a Romulan everyman tasked with the job of wreaking vengeance for his race and he sometimes seems barely up to the job, although he does manage some early creepy moments. His space vessel is far scarier than he is—it’s like a marauding, malevolent V’ger commandeered by Romulan gang bangers, and Abrams uses its tentacled vastness to choreograph some eye-popping space battles as well as an extended imbroglio over Vulcan that’s probably the most successfully sustained dramatic action sequence in the film series since Kirk battled Khan in the Mutara Nebula. Nero is hunting down Spock for some barely registered sin of omission, and there’s a nice irony in the fact that alters the past of James Kirk—and in doing so seals his own doom—while on the hunt for Spock.

Nitpickers will have a field day with some of the movie’s science, tech and logic issues. Questions such as ‘Is Delta Vega a moon or a planet’ and ‘is there anything a transporter can’t do’ will be clogging message boards for the next few years, and fans already resistant to the reboot may also wince at the amount of coincidence that drives the plot. You can make a strong case that this is intentional—that it’s the universe attempting to right itself and undo the damage Nero has done to the time stream. There’s a fascinating bridge scene with Spock theorizing about the effect of Nero’s actions on destiny itself, but just a little more lip service to the idea would help make Kirk’s rise from lowly (but promising) cadet to starship captain easier to swallow.

Star Trek pumps up the action

While many superhero films (and I’m convinced the currently popular superhero genre was an inspiration for the new Trek) make the mistake of focusing too much on their villains, Star Trek’s Nero is clearly a device to propel the plot and turn Trek’s universe upside down. And for those hardened dead-enders holding out the hope that the magic Star Trek Reset Button will erase this movie’s profound changes to canon, well—spoiler alert!—you’re out of luck. You’ll have to get used to Star Trek’s new canvas, but the changes made aren’t arbitrary ones—they deepen the characters, making them not only instantly relatable to Trek neophytes but, in my opinion, that much more fascinating if you’ve been absorbing the series from the beginning. The reboot removes the biggest curse of “prequilitis”—the total lack of suspense derived from knowing how history unfolds in these TV and movie franchises. That safety net is gone now and future Treks can use the familiarity and baggage of a whole universe of familiar characters but tell new and unpredictable stories about them. As for the aesthetic changes, they’re hit and miss but for the most part everything works. For everyone complaining about the Enterprise, take another look—the proportions and details are far closer to the look of the original ship than we had any right to expect. This easily could have been some unrecognizable blob of a ship but it is very much the classic icon it always was and I’m perfectly happy to have a toy of this vessel on my desk. The visual effects are stupendous  and Michael Giacchino’s score, much like Abrams’ direction, works from the inside out—providing character and emotion first and space spectacle at the margins. Giacchino’s theme for Kirk (the one heard on the movie’s website) is fascinatingly internal, suggesting the character’s lost quality with its first five notes before the melody hardens into a feeling of resolve and duty that lends the theme its ‘superhero’ quality and suggests the journey Kirk has ahead of him. Even better is Giacchino’s theme for Spock, often played by an erhu—a Chinese violin—that gives the theme an ethereal, foreign quality in some scenes while more conventional orchestration suggests the warmth and even sadness hidden beneath the Vulcan’s stoic exterior.

Star Trek’s Effects are stupendous

I’m old enough to remember the thrill of rushing out to see Star Trek – The Motion Picture in 1979 after years of anticipation—and coming away from it crushingly disappointed. Since then Star Trek films have been hit and miss, but even as I’ve enjoyed some of them there’s an acknowledgment that I have never gotten what I’ve wanted from these movies—because what I’ve wanted is to re-experience the thrill I got out of watching the wonderful character moments in episodes like “Journey to Babel” and “Amok Time”—while seeing the Trek characters in a MOVIE with the kind of scope, action and drama I was used to seeing from the post-Star Wars era. And as heretical as it is to say this, that was never possible while watching the original cast do their Trek movies. As much as I loved those people, as good as they still were at what they did, it required a frustrating act of faith to watch old men and women trying their best to fit into the uniforms and chairs they inhabited decades earlier. The movie series had to jump through hoops to keep poor Sulu sitting at the helm as an old man while Spock—a Vulcan with a lifespan of hundreds of years—looked 20 years older than everyone around him, his father included. Gallivanting around the universe is a game for the young, and what I wanted was to see those heroes again in their prime. That’s what struck me when I was watching this movie—that I was finally seeing what I wanted a Star Trek movie to be. This is the most emotionally involving Star Trek film in at least twenty years, and the first in an equally long time to leave you breathlessly anticipating the next chapter. I can’t wait to see where these characters boldly go, and I can only hope Abrams returns to direct. His work here is a quantum leap above his filmmaking in Mission Impossible III and shows him capable of handling epic scope, high-octane action, and humor all while pulling very strong performances out of his cast.  Best of all, Abrams, Kurtzman and Orci leave these characters with enormous room to grow, conflict, change and learn—unlike the self-satisfied, dully perfect Starfleet bores who’ve inhabited the franchise since Voyager and Enterprise.  If that negates my opinion for fans who enjoyed those shows, so be it. Star Trek has been comfort food for too long and to paraphrase Simon Pegg’s Scotty regarding the new movie: “this is exciting.” David Gerrold said this scoldingly after his review of Star Trek – The Motion Picture, but I’ll repeat it here with nothing but enthusiasm for this Trek: let the human adventure begin.

Let the human adventure begin

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Nice work! One more day!


I’m Canadian and havent seen a film in threaters since Titanic..yes, since 1997….Most of the crap-o-rama films have all come from uhmmm…downloads…but with this new Star Trek coming out shortly i cant help but break my long “winning” streak and actually go see it in a theatre…how much are films now…$6 a pop…oh wait, i hear $14 (!) are you friggin’ kidding me?!?111 But hey, the film looks good and the reviews are virtually consistently positive so YEA it has my $14


only a couple days left, I am so excited, and I am surprised at all of these stellar reviews

Haven’t looked forward to a Trekmovie (heh) this much since TMP!!

I’m watching TNP tonight, and TWOK tomorrow!

Awesome review. I can’t believe I’m saying this, but I actually do appreciate that there will be no magic “reset button” at the end of this one.

One thing is certain.. those clear data displays will forever be a reminder that today’s reimagined Trek is taking place in an alternate, parallel Trek universe! That in itself is a nod to the alternate Enterprise’s we saw in TNG. Now here’s a thought.. maybe this reimagined universe will take us to what we saw in Yesterday’s Enterprise, hmm..? ;-)

I just saw the movie at a screening in Times Square. I am an avid trekkie. I must say I am still pondering it over. My first reaction was “good enough”. If this is what it takes for me to be able to watch “new” Trek, then so be it. I can live with this. I have accepted the new time line and what more can I do? The next one is set up to be pretty friggin sweet.

Not a bad review at all. Well done Mr. Bond. I am very glad you enjoyed the film, although I can’t say I’m surprised. Although I haven’t seen the movie yet, there seems to be something about it that is just likable. I can’t wait to experience the film for myself. T-2 days!!!!!!!!!!!!! (3 for me as I have to wait till Friday)

(sings) Im sooo excited and I just can’t hide it!

To be fair: on MI3 JJ had Tom Cruise breathing down his neck. That cannot be fun, and harldly a help when you try to direct a movie.

i need to be sedated for the next 47.25 hours. tick tock..


nicely written review! Very comprehensive and thought-provoking! Thanks!

Great review, Jeff!

Can’t wait!

Just watched the old 25th anniversary special on biography — and boy, did that really help to make all these reveiws hit home… I can’t believe how bad the clips looked — especially the effects.

I’m on the east coast of Canada and eagerly awaiting Friday to see this movie. I’ve been a trek fan since high school in the 60’s and from what I can see, Abrams and crew have done a fantastic job. I totally accept the casting, the timeline changes, and the set/tech changes.

My only quibble which I don’t see much discussed concerns events in the prequel graphic novel ……………..

How is it that Nero’s Romulan/Borg ship is so powerful that it can trash an entire Klingon fleet in the 24th century, overpower the Enterprise E; and yet be ultimately defeated by a 23rd century starship? It just doesn’t make any sense and I hope that the movie comes up with a plausible explanation.

Any explanation from those of you who’ve seen the film? If you don’t want to give awaty any spoilers, please at least reassure me that there’s a decent explanation?

The only problem now is the movie has to live up to this review. Not that I think it’s pandering, far from it. It was simply a moving read, especially when you spoke about the music.

I wished all reviews were as thoughtful in both their praises and criticisms, thank you.

I share many of Jeff’s sentiments about where the film franchise has been, and where it should be.

Thanks for the review, Jeff.

It’s almost time to start counting the hours.

It is still 100% at Rotten Tomatoes, with 32 reviews WOW

Also worth listening to is Jeff Bond’s participation in the Film Score Monthly Podcast panel discussion at iTunes: “Pod Trek”

This is a fantastic overview of all of the Star Trek Scores from TOS through the current film. Well worth a listen!

I’m all warm and fuzzy inside

#21—-You should see a doctor about that right away!


11 – It’s almost too bad they didn’t cast Tom Cruise as Captain Kirk… (kidding)


Spock kills Dumbledore.
Nero is Kirk’s father.

I’ve seen it twice… and found the tribble! Very subtle!!

#25—You fiend!

I barely missed opportunities three days in a row to win tickets for an exclusive screening on May 2nd (failure to be the 5th caller on ESPN radio).

I’m still waiting for my first screening.

“It’s clear there was something about Shatner’s Kirk, the very human but sometimes high-flown soldier-philosopher, which the filmmakers either couldn’t relate to or felt no longer spoke to modern audiences.”

This is a sad truth. Something very special has been lost and its not for the better.

C.S. Lewis

I love it how all the haters aren’t talking anymore except one. After friday even they will keep their mouth shut.

Great read.

Stupendously written review! Thanks Jeff!


Kirk is younger than we’ve ever seen him. Do we expect him to be fully formed in a prequel?

“…I was finally seeing what I wanted a Star Trek movie to be. This is the most emotionally involving Star Trek film in at least twenty years, and the first in an equally long time to leave you breathlessly anticipating the next chapter. I can’t wait to see where these characters boldly go…”



Groovy review. More and more reason to look forward to the performances and the popcorn elements.

Sadly, I think this is the fifth or sixth review I’ve read now that suggests that McCoy is marginalized in this film, alas. I mean, sure, he’s been marginalized in all the other movies, too, but I still hold out hopes that one day we’ll get a film where the Trinity is given the full strength we often see in the original series, in several of the novels, etc.

In the meantime, here’s hoping THIS movie rocks :)

On Friday, May 8, 2009, a group of us (fans and newbies) is going to see the it at the Edwards Marq*e IMAX, 7620 Katy Freeway, HOUSTON, TX (the 9:55 p.m. show on IMAX). You’re welcome to joins us.

I’ll have “Trekmovie: Houston Chapter” sign or something to help you find our group. You can contact me through my website.

Speaking of MI3, I recently watched it again, and it works even BETTER than I remembered. Now that it’s gotten some distance from Alias, and can be judged on it’s own terms, it’s actually a damn good, kickass action movie.

#31—-There wouldn’t be much to that kind of story. Something Abrams said last night on Charlie Rose sheds light on how your script seems to have affected him.

“I knew he was Captain Kirk, but I never knew why I should care about Captain Kirk.”

I agree with Abrams that people (particularly in modern audiences) need a way in. They need to be given a reason to become emotionally invested in the characters.

Roberto Orci, thank you, thank JJ, thank Alex, in advance! Viva Mexico!

#34—-Agreed. McCoy should be there to do more than deliver one-liners. He is the conscience of the Big 3.

Howdy again, Roberto Orci, from your fellow UT alumnus….

So, do you listen to music when you write? If so, is it film scores or something entirely unrelated to cinema?

Did you sit in the edit suites much during the rough cuts/fine cuts? Any idea what temp tracks they might have used until Michael’s score was ready?

Look forward to seeing your movie very soon!

Red Shirt
Fort Worth

28 you’re a choice one.
suppress dissenting views, or hound them till they go away. Yeah, you folks are representing IDIC w/ the best of them. Of course IDIC is probably not part of this universe either.

This thing looks and sounds awful. Just the built in Iowa is enough megastupid to keep me from paying for it.


I really doubt the “soldier-philospher” Kirk started out that way from the beginning. He had to be shaped into that gradually.

And in any case that’s a side of him we only saw rarely on the series, and mostly in the early episodes before Shatner brought a much more light-hearted quality to the role.

As I type this, the credits roll up on “The Cage”, the final chapter of my 17 day marathon of all 80 episodes, and all I can say is this: what a long, strange trip it’s been.

I considered, for a milisecond, saying, “It’s been a long road, getting from there to here”, but despite the sour opinion of the theme song and the series, it’s a very true statement.

It’s that light-hearted, Trouble with Tribbles/A Piece of the Action-Kirk I’ve always loved the most– and I suspect the general public identifies the most with too.

The tortured and weary Balance of Terror-Kirk, probably a lot less so.

Thanks for the best review I have read yet Jeff,for what really matters for us trek fans–youve laid it all on the table-and explained exactly and bravely why we have so many mixed feelings-JJ, Orci and crew have done what needed to be done-in passing the torch yet keeping the best characters at the same time,showing respect & love for what went before without being trapped or beholden to it–This is Trek Prime again!Jeff your review made me realize it is now closer to Roddenberrys original version and vision than it has been for decades-I cant wait to see this epic!

Be careful what you say. 3 years ago I browsed the net looking to see what was happening in ST world. There wasn’t much, in fact it was all very stale and gloom & doom after the pitiful flop of ST-10 Universal Studios had lost confidence from what I read and weren’t in any hurry to authorise another movie. I was astonished.
I found a link to a ST site not knowing who it really was and began reminding this person that we were now at a technology where anything was possible and only limited by our own imagination. I brought to their attention that there were a lot of things to take into consideration when considering a new ST movie such as, some of the original actors were either too old or dead, the current generation had no idea what ST was about. It was then I suggested turning back the clock and starting right at the beginning (quite literally). A fresh new cast and story line which would bring everything back to sense again for all ages.
this idea was met with great appretiation and many thanks. Not another word was uttered then 18 months later it was announced in a press release that a new ST movie had been given the go ahead informing that it was going back to the beginning.
I emailed this person again and simply asked for some acknowledgement (not in the way of money), just a formal thank you. I got nothing, not a word.
I had no idea of the magnitude of what I’d done when I had given this person the ideas which possibly could have saved the ST movie industry.
This is NOT a fabrication and I am dissapointed in myself for thinking there was integrity and honor even when I was being sincere to the point where I clearly wasn’t interested in money, just a credit.
This person knows who they are and I hope this statement reaches them in the hope it will poke their conscience.

One Klingon is still worth 5 Romulans.

JJ so totally gets Trek in that Charlie Rose interview. I was very impressed.

#46—I thought you said your idea was met “with great appreciation and many thanks”.

And there were plenty of us who had the same idea twenty years ago (including Harve Bennett)!

It’s not really a new concept. It is only just now being realized.

I’d be happier if they’d given Simon Pegg a toupee with bangs like Doohan’s…and if they’d parted Karl Urban’s hair on the same side as Deforest Kelley’s. Still think Gary Sinese would have made a great McCoy.
Iconic Enterprise is a better design in its earlier incarnations.
And as I’ve said, Chris Pine could have done some Shatnerisms without destroying his credibility as Kirk.
Glad they kept the original uniform colors, though…